gaptoothbitch: JEAN PAUL GAULTIER SS 2006

gaptoothbitch:

JEAN PAUL GAULTIER SS 2006

Paul looking like one of the living dead and still devastatingly attractive..ish

Paul looking like one of the living dead and still devastatingly attractive..ish

Kerry Washington in Elle Magazine (2013)

Kerry Washington in Elle Magazine (2013)

(Source: styleest-eternel)

109 plays • Download

alltherestistreason:

The Clash
Cheapskates
Give ‘Em Enough Rope, 1978

people come pouncing up to me
and say what are you doing here
you’re supposed to be a star
not a cheapskate bleeding queer  

I thought to myself that he contained a whole universe that I had yet to know.

Patti Smith on Robert Mapplethorpe (via thatkindofwoman)

(Source: trinitycomplex, via uptownisdeadnow)

bohemea:

Tilda Swinton & Tom Hiddleston - Only Lovers Left Alive premiere at the Cannes Film Festival, May 25th 2013

(via suicideblonde)

Nico Mirallegro in Spike Island UK Trailer (x)

(Source: joedemspie, via niicomirallegro)

aliciaandme: can’t stop laughing at how pointless this photo is oh god joe’s like why the fuck am i even here 

aliciaandme:

can’t stop laughing at how pointless this photo is oh god

joe’s like why the fuck am i even here 

(Source: goppetan)

Montgomery Clift photographed by Stanley Kubrick, 1949.

(Source: mattybing1025, via oldfilmsflicker)

youaintpunk: The way the Clash was presented – in clothes, in posters, in images – was very important, wasn’t it? Paul: Totally. You could put it down to a very basic thing, Bernie Rhodes said to me once. He said: ‘Why is an audience going to listen to what you’ve got to say if they’re better dressed than you?’ So if you think about that in the bigger picture, everything’s important because it reflects what you’re about as a band. If you say: ‘I don’t care about the posters, I just do the music,’ you’re underselling yourself. It’s all important.’  Interview with Mick and Paul, The Guardian

youaintpunk:

The way the Clash was presented – in clothes, in posters, in images – was very important, wasn’t it?

Paul: Totally. You could put it down to a very basic thing, Bernie Rhodes said to me once. He said: ‘Why is an audience going to listen to what you’ve got to say if they’re better dressed than you?’ So if you think about that in the bigger picture, everything’s important because it reflects what you’re about as a band. If you say: ‘I don’t care about the posters, I just do the music,’ you’re underselling yourself. It’s all important.’ 

Interview with Mick and Paul, The Guardian

(via punkr0ckwarlord)

(Source: mirallegronicholas, via dissertationcanwait)

Rebel Without a Cause, 1955

Rebel Without a Cause, 1955

(Source: jamesdeandaily, via cinemastatic)

gaptoothbitch: HUSSEIN CHALAYAN FW 2008

gaptoothbitch:

HUSSEIN CHALAYAN FW 2008

(Source: prettyfuckinkawaii)

many years later, as he faced the firing squad, colonel aureliano buendia was to remember that distant afternoon when his father took him to discover ice.